“All of This and Nothing. I mean, I think it just works so well for this show, right?” He’s smiling because he’s just finished telling us that the title of the Psychedelic Furs song from their eponymous 1981 album Talk Talk Talk came to him a month ago, like a bolt from the blue, while driving to a curatorial meeting in which the title of the Hammer Museum’s conceptually ambitious exhibition, All of This and Nothing was then, as yet to be determined. And, as he tells it, being a staunch fan of The Furs, not to mention somewhat of a conceptually, and pop-culturally savvy dude, he saw a perfect opportunity to contextualize the work of roughly a dozen disparate contemporary artists under this single unifying umbrella: this – according to him – fitting, poetically concise moniker. The “he” in question was Douglas Fogle, acting as museum tour guide to a group of art students, myself included, who had come to the Hammer seeking enlightenment. I gather he is a rather important figure, all the signs are there: simple yet elegant shoes, designer jeans, immaculately sculpted coif, and the fact that he can really, you know, “talk” about Art. You know the way I mean, the way we all secretly wish, in our darkest of hearts, that we could talk about Art, even though, if we’re honest, we usually find it to be rather pretentious, even a wee bit condescending when we’re forced to endure listening to it. But even were it not for these tell-tale signs, I was also fully aware that our guide was not your average docent, in fact it turned out he’s the chief curator for the Hammer Museum, a position he only recently (2 years? recent enough in...